News, Features Leigh Livingstone News, Features Leigh Livingstone

Supergirl trailer reveal

Popcorn Podcast snuck a first look at the new Supergirl trailer, with exclusive insights from star Milly Alcock and director Craig Gillespie on bringing a grittier, emotionally raw Kara Zor-El to the DCU...

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Reviews, Features Tim Iffland Reviews, Features Tim Iffland

Longlegs: the best crime-thriller since The Silence of the Lambs and Se7en?

Longlegs is a deeply disturbing and visceral experience that will leave you reeling. The groundswell for Osgood Perkin’s new horror crime-thriller has swept the globe, opening to big bucks in the US. With grandeous headlines likening it to classics, The Silence of the Lambs and Se7en, one could get caught up in the expectation that it will deliver the best crime-thriller film in thirty years. Be warned, because it might not satisfy that genre itch…

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News, Features Leigh Livingstone News, Features Leigh Livingstone

March's ultimate must-see movies

Easter blesses us with four full days of packing in as many movies as our hearts desire. Whether you head to the cinema or stay in and devour a mountain of chocolate eggs, there are so many new films to choose from. Here are the hot releases you should have on your must-watch list…

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Features, News Leigh Livingstone Features, News Leigh Livingstone

In cinema: December's top 9 new movies

The summer movie season is upon us here in Australia, which means big screen blockbusters, a Boxing Day trip to the cinema, and the traditional holiday fare. Whether naughty or nice, here’s the new movies you need to have at the top of your festive to-watch list…

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Features, Interviews, SXSW Tessa D'Alfonso Features, Interviews, SXSW Tessa D'Alfonso

I Used to Be Funny writer and director Ally Pankiw dishes on SXSW feature debut

There’s a comedic female filmmaker on the rise you need to pay attention to. Ally Pankiw speaks to Popcorn Podcast about her feature directorial debut, I Used To Be Funny, which premiered at South by Southwest Film Festival this week, pummelling audiences with a refreshing look at the toll of trauma and the road to recovery…

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