TO CELEBRATE THE FIRST ANNIVERSARY OF POPCORN PODCAST, WE’RE GIVING AWAY THREE GIFT PACKS FEATURING AN OFFICIAL POPCORN PODCAST MUG, MOVIE MERCHANDISE AND A $20 ITUNES GIFT CARD, SO YOU CAN WATCH YOUR FAVOURITE NEW RELEASE MOVIES!

TO CELEBRATE THE FIRST ANNIVERSARY OF POPCORN PODCAST, WE’RE GIVING AWAY THREE GIFT PACKS FEATURING AN OFFICIAL POPCORN PODCAST MUG, MOVIE MERCHANDISE AND A $20 ITUNES GIFT CARD, SO YOU CAN WATCH YOUR FAVOURITE NEW RELEASE MOVIES!

Misbehaviour

Misbehaviour

Misbehaviour is on the cards in this week's episode. Plus, Vin Diesel touches down in Australia; there's more casting news for The Suicide Squad; trailers for Chaos Walking and Tom and Jerry; and a big title reveal for Scream 5.

Find an edited extract of this episode below. Listen to the full episode above and subscribe using your preferred link


MISBEHAVIOUR MOVIE REVIEW

Leigh: It's fascinating, isn't it? Because this moment in history is so pivotal, it was almost like a flashpoint for the Women's Liberation Movement. But the event itself was a bit underwhelming: they threw some flour bombs and rushed the stage, and got taken away in a paddy van. It was bold and it was brave for the time, but in terms of the film overall, it felt quite anticlimactic. 

Tim: Yes, you're right. It went to a place and they were fist-pumping the air at the end, and I'm like, okay, so now the credits are gonna roll, this is actually exciting now.

Leigh: Can we talk about the credits though, because I loved the ending. There's this moment in Misbehaviour where they connect the characters to their real-life counterparts. And I love the way they did it – they look at the screen and then it turns to the real person looking at the screen and smiling. That's a good way of doing it. Rather than just putting the pictures side by side.

Tim: I thought it was really effective and impactful. And I felt more emotionally from that moment because of the direct down-the-barrel and then seeing it transition into these real-life women, these beautiful women who obviously made an impact in society. I thought, “Where was the connection?” Where were these moments with these characters throughout the film? I love a good strong ending to close the credits. But it's not beneficial to the overall experience of an audience when a film achieves more in the credits than it has throughout the life of the film.


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SPECIAL - Jeremy Sims

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